--- VIEWING ADVISORY
---
CAPTIVE is most
certainly a motion picture that SHOULD NOT be viewed by
anyone under the age of 18. It involves the torture and humiliation
of a young woman by a man who's attempting to discover some very
important information. As such, the story sails upon a treacherous
ocean filled with raw emotions and unnerving behavior.
____________________
At the beginning of the
story, Sara Lawson is dressed to the nines, looking very much like
someone who should be working in an uptown high rise office building.
After traveling to the address provided by a referral service, the
woman has found herself at a run down warehouse in a less than desirable
part of the city. This clearly isn't the side of town where a pretty
girl would normally show up wearing her combination of skirt, blouse,
high heels and high fashion off black stockings.
Sara has evidently been
recommended for a high profile position at a brand new company. That
might explain the low rent nature of this address. The business
investors might be saving money on rent and using it elsewhere. Or
has the agency simply made a mistake and sent her to the wrong
location?
"Hello?" she says,
as she steps through the side door of the building and finds herself
in a dimly lit room. "I'm here for the job interview."
A few seconds later, the
room goes completely dark. This is quickly followed by sounds which
make it clear that a struggle is taking place. As the view screen
brightens and comes back into focus, the young woman is just
beginning to regain consciousness. Attempting to stretch and move
about, she finds herself chained to a set of hooks that are anchored
in the dingy concrete floor.
She's very disoriented.
Her head ache is ringing
like a church bell.
She's being calmly observed
by a large man who lurks in the shadows and doesn't allow her to see
his face. The fellow might be a gangster. Maybe he's a terrorist.
Whatever her captor is, he's been keeping himself safely hidden in a
section of the city most people make sure to stay away from.
From his point of view, this
young woman brought trouble into his life when she walked in the side
door of his building. Her arrival is completely unexpected. None of
the man's associates have given him any type of signal that someone
might be coming by today.
During the next several
hours, he asks her the same two questions over and over again.
Who are you?
Why are you here?
Time after time, she
provides the same two answers.
My Name is Sara Lawson.
I came here for the job
interview.
Given the nature of his life, the man is very reluctant to believe this young
woman. If she's lying, his activities have been compromised. If
she's telling the truth and he lets her go, he'll need to quickly
move his operation somewhere else.
If he simply kills her, that
might create an entirely new set of problems. If this Sara Lawson
was sent here on purpose, her people might know way more than just
the location of this building. The truth of the matter is that his
only option is to completely break this young woman emotionally.
Whatever this Sara Lawson might know, he'll need to drag it out of
her by any means necessary.
In certain ways, I find
myself both happy and disappointed that this forty minute movie was
produced and distributed by Gwen Media. Happy because the story has
actually been completed and its out there for an adult audience to
find and view. Somewhat sad because an association with this
particular production and distribution company causes it to
immediately be labeled as a "Fetish Video".
Please don't get me wrong,
when it comes to high quality fetish entertainment, Gwen Media is
always functioning near the top of the list. While many other
companies are content to simply make and distribute anything they
think will sell, Gwen Media's work is always in the A and B+ range.
Even when they've done something I haven't liked, it isn't because
the production values were bad. Merely that a particular story
wasn't exactly my cup of tea.
The conundrum about this particular movie is that while
CAPTIVE is most certainly a well made fetish treat, it travels beyond
that genre by leaps and bounds. To put it simply, CAPTIVE is a piece
of storytelling which rivals a good deal of what is being produced by
the mainstream television and motion picture industry.
Writer and Director John
Fitzgerald has deftly combined 21st Century Bondage Erotica with a
1950s Film Noir style. The lighting and the camera angles cause
everything about the story to feel very claustrophobic. And
Fitzgerald has put a great deal of effort and ingenuity into
giving the modern day viewer a stunning color motion picture while
handing a nod to the purists who insist that true Film Noir has only
ever existed in black and white. The man has found
a marvelous compromise that merges the best elements of the two
distinct formats.
In the universe of CAPTIVE,
the captor's warehouse is a very dark and dreary location.
Everything that should belong there is a rather muted shade of
pewter, tan and other very similar tones. The only things breaking
the darkness are the one or two locations where a spot light is
shining. This is where we always find Sara Lawson. In a sea
composed of black and shadows, this woman is always at the center of
the brightness.
Sara's hair, nails,
lipstick and blouse are a beautifully rich candy apple red. Her
skirt and high heels are a reflective black and her underclothing is
much the same. In a nothing sort of place where almost everything
can be easily overlooked, the nature of Sara Lawson draws all
attention to her and never allows the viewer to even think of looking
elsewhere.
She is the beauty. He is
the barely seen beast. The conflict between the two of them is a
paradox rooted in an overwhelming sense of fear. Fear that runs
equally in both directions. The one who's chained to the floor ...
Who's currently being tortured and tormented ... She holds just as
much power over her captor as he has over her. As much as Sara fears
what the man might do to her, he fears what she might know about him.
Most Hollywood production
companies could spend twenty million dollars producing a ninety
minute feature film and it wouldn't be half this good. I strongly
recommend CAPTIVE to those adults who are looking for something a bit
different and decidedly edgy.
To purchase a copy of
CAPTIVE, see the production and company details that are listed
below.
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