In 1988, the CBS network attempted the television equivalent of a Hail Mary Pass. Their intention was to take a failed prime time series and try to turn it into a syndication success.
Three years earlier, the company had
taken a stab at resurrecting The Twilight Zone, the classic
television series which had run on that network from 1959 through
1964. While TZ had never been more than a cult hit the first time on
the air, the show had earned the company a considerable amount of
money during two decades of syndicated reruns.
The 1985 attempt at rebooting the show
wound up bringing mixed results. The initial ratings had been strong
and critics had given the show a fair amount of praise. Then the
number of viewers had started tapering off after the first couple of
months. When asked why they were changing the channel, the response
from the audience had been fairly consistent.
Some of the stories are fairly
interesting
but the general feel of the show doesn't match
the
Twilight Zone that we came to love on late night TV.
With ratings dropping below the break
even point, the network canceled the show halfway through the second
season. Hoping to recoup some of their money by syndicating this
version of TZ to individual stations, the CBS executives had to face
a second inconvenient reality. Although this sixty minute version of
the show has been produced in a way that would allow each installment
to be neatly divided into two half hour episodes, the early
cancellation of the program had left CBS holding a short stack of
product.
CBS needed at least one hundred half
hour episodes to make their plan viable. They currently had slightly
more than seventy. After considering their options, the company
decided to open the checkbook and pay the money necessary to produce
another thirty stories.
While seasons 1 and 2 had been
completely produced in California, the actual filming of 3 was moved
to the greater Toronto area. By shooting in Canada and placing a
limit on the amount of special effects these episodes could use, the
company hoped to maximize the amount of profit they could earn from
syndication. CBS was also paying attention to one of the major
complaints concerning the initial two seasons of the revival.
Several of the episodes had seemed more concerned with sparkle than
with plot.
While reducing the costs on filming and
effects, the company allowed the writing budget to remain fairly
high. By using this money, Seaton McLean and J. Michael Straczynski
were able to attract a wide variety of top notch talent for the third
season of the show. Although the production budget for these thirty
episodes was significantly lower than the ones that had preceded
them, several of them are near the top of the list when it comes to
fan favorites.
Here are the ones I refer to as
my fabulous five.
The Curious Case Of Edgar
Witherspoon
Doctor Jeremy Sinclair has just been
handed what appears to be a run of the mill psychiatric assignment.
His task is to investigate and report on an elderly man name Edgar
Witherspoon. Edgar is a sweet old fellow who's taken to collecting
and hoarding a wide variety of items that most people would describe
as junk.
After he succeeds in muscling his way
into Edgar's basement apartment, Jeremy discovers an entire room
filled by a strange contraption made from piano wire, doll heads,
playing cards and other assorted items.
“Mr. Witherspoon,” Jeremy says, a
touch of concern in his voice. “Would you mind explaining the
nature of this device?”
“This machine is the only thing that
keeps the everything in balance.” Edgar replies, with a wry smile.
“Without it, the entire world would just go poof!”
Harry Morgan as Edgar Witherspoon
Cedrick Smith as Dr. Jeremy Sinclair
Cedrick Smith as Dr. Jeremy Sinclair
Dream Me A Life
Eddie Albert stars as Roger Simpson
Leeds. An old man who can't seem to get away from a bad dream. The
problem has been going on for weeks now. Constant repetitions and
distortions of the same series of disturbing events. The situation
has reached the point where Roger is almost afraid to go to bed at
night.
After falling asleep, the man opens his eyes and finds
himself barricaded inside a crumbling house. His only companion is an
attractive woman, close to his own age, who seems very afraid of
whatever is trying to break down the door.
Things become even stranger when Roger
meets the newest resident of the retirement home where he lives. Her
name is Laural and she's been in a catatonic state for almost ten
years. According to Roger's friend Frank, after the unexpected death
of her husband, Laurel just sort of “went away”.
Laurel just happens to be an exact ringer of the woman
in Roger's night mare.
Frances Hyland as Laurel
Barry Morse as Frank
Barry Morse as Frank
The Trance
Leonard Randall is a handsome con
artist who's only one step away from reaching the big time.
About a year ago, the man invented the
persona of Delos. According to Leonard, Delos is a long dead
resident of the lost island of Atlantis. After Leonard walks onto a
theatre stage, sits in a comfortable chair and allows himself to fall
into a trance ... The spirit of Delos enters his body and uses it to
advise audience members who believe they might have problems that
require a special sort of spiritual guidance.
After months of carefully calculated
performances, Leonard has finally gained the attention of the
national talk shows. Just as he's about to sign a deal that will
send him on a highly publicized world tour, Leonard begins to speak
in a voice that belongs to neither Delos nor himself. And it is a
voice that Leonard appears to have absolutely no control over.
Peter Scolari as Leonard Randall
Room 2426
Professor Martin Decker ... A research
scientist who's been imprisoned in a mental hospital. His only crime
appears to be a steadfast refusal to cooperate with an oppressive
dictatorship. The Professor invented a compound that could possibly
be used to produce a deadly nerve gas. The regime appears willing to
do anything necessary to learn the formula.
Professor Decker's “therapy” has
gone on for several months. Sleep deprivation. Drugs. Long periods
of isolation. The man still refuses to give his captors any
information about where his files are hidden.
During the past several weeks, Decker's
last remaining connection to sanity has been an enigmatic cell mate.
Although the young fellow's conversations have always appeared to be
quite sane, he has just made Decker an offer that seems to come from
the depths of absurdity.
“They sent me to get you out of here,
my friend.” The young man whispers in Martin's ear. “ I can use
the power of my mind to teleport the two of us to safety. You simply
have to believe in me.”
Dean Stockwell as Martin
Brent Carver as Joseph
Crazy As A Soup Sandwich
Tony Franciosa stars as Nino Lancaster,
a Mafia Boss who is owed more than 100 grand by a street punk named
Arky Lochner. It seems that Arky has a first class
reason for his inability to repay the money he borrowed from
Lancaster's loan sharks. The man bet every penny of it on the local
horse races, after making a deal with a Demon to learn the names of
all the long shots that would cross the finish line first.
Unfortunately, while each of Arky's
horses were indeed the first ones to cross the line, every single
stag and mare was disqualified for one reason or another. Which
means that Arky now has a much larger problem than his inability to
repay Mr. Lancaster. He's also unable to fork over the One Million
Dollar Bounty which would prevent the Demon from having the right to
claim Arky's immortal soul.
Nino Lancaster now finds himself in a
very unenviable situation. If he wants to regain the money which is
rightfully his, the man will have to help a pathetic loser defeat a
highly powerful Minion of Darkness.
Wayne Robson as Arky
I sincerely hope you take the time to
find the episodes of Season 3 and enjoy them. Your imagination will
thank you for it.
Travis Clemmons
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